Category Archives: Law: Copyright and DMCA

EFF Wants to Hear From (Innocent) YouTube TakeDown Victims

Viacom got Youtube to take down 100,000 videos. Many of which were not in fact infringing of anyone's rights. EFF would like to hear from the victims:

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Pirate Bay Wants to Buy Sealand

Pirate Bay launches bid to buy country

NEFARIOUS file-sharing site The Pirate Bay says it is planning to buy its own country and turn it into a copyright-free piracy paradise.

The torrent outfit launched a “Buy Sealand” campaign this week, with the aim of acquiring the former World War 2 gun platform now known as the Principality of Sealand, located just six miles from the UK coast.

The cut-throat file sharers claim the platform is up for sale having been badly damaged by fire in the summer of 2006.

The Pirate Bay hopes to fund the £100 million sale through donations from users who will automatically become citizens of the principality.

£100 million ???

Posted in Internet, Law: Copyright and DMCA | 1 Comment

The Grateful Dead

Wendy Grossman on the strange situation in the UK: dead musicians signing petitions,

Last week's report from the Gowers review and its recommendation not to extend the term of copyright in sound recordings past the current 50 years predictably annoyed the record industry. A day later, Phonographic Performance Limited, the collection society for sound recordings, responded by taking out a full-page ad in the Financial Times listing 4,500 musicians whose signatures it collected protesting Gowers' recommendation.

Well, fair enough; if anyone has the right to talk about copyright in sound recordings it's musicians, without whom there would be nothing to talk about. That doesn't mean they should have the right to dictate policy, but probably few outside the business understand the extent to which any musician who stays in the business any length of time has been ripped off (by both professionals and amateurs), cheated, and otherwise buffeted by the “I love your music”s of life. Spend any time with them, and you'll run across a load of people who are determined that if they can ever get their rights back they're never going to lose control of them again.

It's just that some of the musicians signing the ad were…dead.

It's not a big deal. No one is alleging that the Gowers recommendations made them commit suicide or anything. They're just dead.

Bonus: Lessig is pretty funny about this too.

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Google-YouTube Deal Structured to Screw Authors?

It’s an anonymous source, but a pretty plausible sounding story. As recounted at Blog Maverick, Some intimate details on the Google YouTube Deal, the Google buy of YouTube was heavily driven by copyright concerns. That’s why YouTube needed to sell, that’s why a huge pot of money was set aside for liability concerns, that’s why the money is going to be shared with content companies in a way that ensure the authors won’t see any royalties, and that’s why there’s a secret deal to make the content companies lay off YouTube for six months — while they are encouraged to sue everyone else in the same business and thus help drive YouTube’s competitors into the ground.

Here’s just part of the fascinating story:

It didn’t take a team of Harvard trained investment bankers to come up with the obvious solution and that is to set aside a portion of the buyout offer to deal with copyright issues. It’s not uncommon in transactions to have holdbacks to deal with liabilities and Youtube knew they had a big one. So the parties (including venture capital firm Sequoia Capital) agreed to earmark a portion of the purchase price to pay for settlements and/or hire attorneys to fight claims. Nearly 500 million of the 1.65 billion purchase price is not being disbursed to shareholders but instead held in escrow.

While this seemed good on paper Google attorneys were still uncomfortable with the enormous possible legal claims and speculated that maybe even 500 million may not be enough – remember were talking about hundreds of thousands of possible copyright infringements. Youtube attorneys emphasized the DMCA safe harbor provisions and pointed to the 3 full timers dedicated to dealing with takedown notices, but couldn’t get G comfortable. Google wasn’t worried about the small guys, but the big guys were a significant impediment to a sale. They could swing settlement numbers widely in one direction or another. So the decision was made to negotiate settlements with some of the largest music and film companies. If they could get to a good place with these companies they could get confidence from attorneys and the ever important “fairness opinion” from the bankers involved that this was a sane purchase.

Armed with this kitty of money Youtube approached the media companies with an open checkbook to buy peace. The media companies smelled a transaction when Youtube radically changed their initial ‘revenue sharing’ offer to one laden with cash. But even they didn’t predict Google would pay such an exorbitant amount for Youtube so when Youtube started talking in multiples of tens of millions of dollars the media companies believed this to be fair and would lock in a nice Q3/Q4. [Note to self: Buy calls on media companies just prior to Q3/Q4 earnings calls.] The major labels got wind that their counterparts were in heated discussions so they used a now common trick a “most favored nation” clause to assure that if if a comparable company negotiated a better deal that they would also receive that benefit. It’s a clever ploy to avoid anti-trust issues and gives them the benefit of securing the best negotiating company. They negotiated about 50 million for each major media company to be paid from the Google buyout monies.

The media companies had their typical challenges. Specifically, how to get money from Youtube without being required to give any to the talent (musicians and actors)? If monies were received as part of a license to Youtube then they would contractually obligated to share a substantial portion of the proceeds with others. For example most record label contracts call for artists to get 50% of all license deals. It was decided the media companies would receive an equity position as an investor in Youtube which Google would buy from them. This shelters all the up front monies from any royalty demands by allowing them to classify it as gains from an investment position. A few savvy agents might complain about receiving nothing and get a token amount, but most will be unaware of what transpired.

Tell me that romantic story again, the one about copyright law being for the benefit of the authors.

Posted in Law: Copyright and DMCA | 2 Comments

Wendy Seltzer Deconstructs the Vista License

Wendy Seltzer does a great public service analyzing the new MS Vista licensing terms.

Legal Tags: Forbidding Vistas: Windows licensing disserves the user: Reading the Windows Vista license is a bit like preparing for breakfast with Lewis Carroll’s Red Queen: You should be ready to believe at least six impossible things about what users want from software.

It is unlikely that a home user looking for a computer operating system has any of these “features” of the Vista EULA in mind: The Red Queen

1. Self-limiting software
2. Vanishing functionality through invalidation
3. Removal of media capabilities
4. Problem-solving prohibited
5. Limited mobility
6. One transfer only
and a bonus,
7. Restrictions on your rights to use MPEG-4 video

Details below. While Microsoft should be commended for putting its license into plain English, that doesn’t help to make the license restrictions any more palatable.

If you are interested in licenses, or think you might ever install Vista, read the whole thing.

Unix anyone?

Posted in Law: Copyright and DMCA | 4 Comments

Well Versed in Law

Board Games and Gaming Blog from Jerusalem, Israel – Yehuda presents …the U.S. Patent Code … in verse.

And if that’s not enough, how about the U.S. Copyright code, in verse.

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